acoustic design in the oil tanks
These enormous circular chambers — over 30 m across and 7 m high — posed significant acoustic challenges. With the South Tank used for film, sound, performance, and discussion, the acoustics needed to ensure clarity, avoid echo, and support immersive experiences without compromising atmosphere.
Working alongside FireClad / HarrisonJorge and Mace Construction, Oscar Acoustics applied SonaSpray K-13 in black at a thickness of 76mm, to create a coarsely textured, seamless spray acoustic surface. This finish delivers high sound absorption and perfect conditions for lighting control where in a darkened space the height of the ceiling appears infinite.
why acoustics matter in public spaces
Spaces like Tate Modern’s Oil Tanks have unique acoustic requirements:
Speech intelligibility and live sound are essential.
Versatile acoustic response for varied use: performance, film, dialogue.
Environmental responsibility — finishes that contribute to health, air quality, and durable design.
Oscar Acoustics’ work here showcases how specifying acoustic finishes like SonaSpray can transform industrial spaces into inviting, acoustically performing venues for public engagement.
Chris Dercon, Director of Tate Modern said:
“The Oil Tanks will give visitors a new way to explore and experience art at Tate Modern. Architecturally they are fantastic raw spaces, which are being carefully converted for public use without losing any of their unique industrial character.
These spaces can better accommodate our evolving live art programme than the traditional white box of the gallery. They will provide us with a dedicated home for the latest developments in art practice and research, and reflect the evolving way the gallery is used by artists, curators and the public.”
